Jan Davis cv

Jan Davis

born Bairnsdale Victoria, 1952. Lives and works in Tullera, NSW.

Solo exhibitions


from the ground up, grahame galleries + editions, Brisbane
Georgica, Langford 120, Melbourne
Big Garden, drawings and installation, Logan Art Gallery, Queensland
Big Garden, drawings, Langford 120, Melbourne
Big Garden, drawings and installation, Lismore Regional Gallery, Lismore, NSW
Trace, Langford 120, Melbourne
Walking home, grahame galleries + editions, Brisbane
Terania, Barratt Galleries, Alstonville, NSW
Folio/foliate, Grafton Regional Art Gallery, NSW
Panorama, Lismore Regional Art Gallery, NSW
Candide’s Garden, grahame galleries + editions, Brisbane
 grahame galleries + editions, Brisbane
1988 – 1990 – 1992 – 1995
 Niagara Galleries, Melbourne
 Ros MacAllan Gallery, Brisbane

Selected group exhibitions since 2000

6th artists’ books and multiples fair, Queensland College of Art, Brisbane.
& So…, artists’ books & multiples from the Centre for the Artist Book, Queensland College of Art Library, Brisbane.
 As far as the eye can see, Blue Mountains Cultural Centre, Katoomba, NSW. Touring Regional Galleries.
Figures, grahame galleries + editions, Brisbane.
Local Provenance, Tweed Regional Gallery, Murwillumbah, NSW.
Une histoire du livre d’artiste australien, Cabinet du livre d’artiste, Université Rennes 2, France.
Circumference and Radius, Concrete Gallery, Center for Applied Arts, Center for Innovation, Eugeniusz Geppert Academy of Art and Design, Wroclaw, Poland.
Centre for the Artist Book – Artists’ Books & Multiples, Toowoomba Regional Art Gallery, Qld.
Paper Contemporary, Sydney Contemporary Art Fair, with grahame galleries + editions.
Auditory Visions, Lismore Regional Gallery, Lismore, NSW.
Circumference and Radius, Southern Graphics International Council conference, University of Tennessee, Knoxville, USA.
International Print Exhibition Australia and Japan, Kyoto Municipal Museum of Art, Kyoto, Japan; Fukuyama Museum of Art, Fukuyama, Japan.
Fourteen, Langford 120, Melbourne.
The OnGOING GaGa SaGa, curated by Akky van Ogtrop at Brenda May Gallery, Sydney.
Paperworks II, Brenda May Gallery, Sydney.
Thirteen, Langford 120, Melbourne.
Lessons in History Vol. II: Democracy, grahame galleries + editions, Brisbane.
Temporary Residency 3, Honolulu Academy of Arts, Honolulu, Hawai’i.
The New Arcadia, Lismore Regional Art Gallery, Lismore, NSW.
Fair & Square, Charles Sturt University Gallery, Wagga Wagga, NSW.
Stories of our making, University of the West of England, Bristol, UK and Tweed River Art Gallery, Murwillumbah, NSW.
En Trace, RMIT Faculty Gallery, Melbourne.
Lessons in History Vol. I, grahame galleries + editions, Brisbane.

Altered States, Wagga Wagga Regional Gallery, NSW.
The O’Grady Sisters Redrawn, Grafton Regional Gallery, NSW.
Artists’ Books from the Centre for the Artist Book, Art Gallery of NSW.
Bookscapes, Port Jackson Press, Fitzroy, Vic.
Megalo Artspace, Canberra.
Little Treasures Collaborative Artists’ Books, University of Western England, Bristol. UK.
Seamless, Grafton Regional Art Gallery, NSW.
Little Treasures Collaborative Artists’ Books, grahame galleries + editions, Brisbane.
Script, MASS, Melbourne, toured Regional Galleries; Sale, Horsham, Lismore; Macquarie University.
No Muttering, Ivan Dougherty Gallery, UNSW, Sydney, toured Queensland College of Art Gallery, Brisbane and Gosford Regional Art Gallery, NSW.
Little Treasures Collaborative Artists’ Books, RMIT Gallery, Storey Hall, Melbourne.
Craft from Scratch : Eine Spur von Handarbeit, 8. Triennale für Form und Inhalte – Australia and Germany, Museum für Angewandte Kunst, Frankfurt am Main, Germany.

National Gallery of Australia; National Library of Australia; Australian Library of Art, State Library of Queensland; State Library of New South Wales; State Library of Victoria; Centre for the Artist Book, Brisbane; Baillieu Library at The University of Melbourne; Parliament House Collection, Canberra; Tate Gallery, London; Artbank; Artspace Mackay; Grafton Regional Gallery; Lismore Regional Gallery; Tweed River Art Gallery, Murwillumbah; Fremantle City Collection; Charles Sturt University; Curtin University; Deakin University; RMIT Melbourne; Downlands College.

Residencies, Awards
2018 Swan Hill National Drawing Award
2017 Guanlan Print Base, Shenzhen, Guandong, China
2014 Siganto Foundation Artists’ Books Creative Fellowship,
 State Library of Queensland, Brisbane
 Scuola Internazionale di Grafica, Venezia, Italy
2013 Temporary Residency 3, Honolulu, Hawai’i
1995 Fremantle Print Prize, Fremantle Arts Centre, WA
1994 National Printmaking Award, Tweed River Regional Gallery, Murwillumbah, NSW
1992 Jacaranda Drawing Prize, Grafton Regional Gallery, NSW.

Selected bibliography
Davis, J & Muddiman, S (eds.) 2009, Stories of our Making : contemporary prints from Australia, Southern Cross University, Lismore, NSW.
Drury, Nevill 1989, New Art III, Craftsman House, Roseville, NSW, pp. 60-63.
Geddes, Kezia 2011, Considering Arcadia, catalogue to accompany The New Arcadia exhibition, Lismore Regional Gallery, NSW, pp. 15-18.
Germaine, Max 1991, Directory of Australian Women Artists, p. 108.
Grahame, N (ed.) 2015, Une histoire du livre d’artiste australien, numero uno publications, Brisbane, pp. 12-13.
Grahame, N (ed.) 2012, Lessons in History Vol. II: Democracy, numero uno publications. Brisbane, pp. 22-23.
Grahame, N 2007, ‘the book the poet, the artist and the breakthrough’, in Tipping, R (ed), the word as art, Artlink, vol. 27, no. 1, pp. 68-69.
Grahame, N 2001, Little Treasures Collaborative Artists’ Books, Ugg Boot Press, Toowoomba, pp.11-12.
Grahame, N (ed.) 1996, 1996 artists’ books + multiples fair, numero uno publicatins, pp. 14-15.
Grahame, N (ed.) 1998, 3rd artists’ books + multiples fair, numero uno publications, p. 36.
Grahame, N 2014, ‘Part of the land’, in Van Ogtrop, A and Grahame, N (eds.), International Print Exhibition Australia and Japan, Japan Print Association, Kyoto, Japan. p. 34 & p. 51.
Kean, John, 1995, A shift in Latitude, Imprint, vol. 30, no. 3, p.16.
Kirker, Anne & Davis, Jan 2013, Prawat Laucharoen’s Temporary Residency series, Imprint, vol. 48, no. 1, p.10.
Kirker, Anne 2001, ‘Printmaking Shifts’ in No Muttering, (a catalogue to accompany the exhibition curated by Rilka Oakley at Ivan Dougherty gallery), UNSW, Sydney.
McCulloch, Allan & McCulloch, Susan 1993, Encyclopedia of Australian Artists, p. 207.
Menz, Christopher 2000. ‘Jan Davis’, in Runde, S, Soltek, S and Menz, C (eds.), Craft from Scratch, Eine Spur von Handarbeit, 8. Triennale für Form und Inhalte – Australia and Germany, Museum für Angewante Kunst, Frankfurt am Main. p. 65, p.181.
Rogers, Lauren 2015, ‘Progressive Printmaking’, Imprint, vol. 50, no.4 p.16.
Noyce, Richard 2010, Critical Mass; Printmaking beyond the edge, A&C Black, London, pp.82-83.
Ravenswood, Kate 1997, A (semi) circular practice, Imprint, vol. 32, no. 3, pp.1-2 & front cover.
From Silksceen to Computer Screen: 20 years of the Fremantle Print Award, Fremantle Arts Centre 1996, p.40.
Selenitsch, Alex 2011, Jan Davis at Langford 120, Imprint, vol. 46, no. 4, p.21.
Unbound: artists books from the collection 2006, Treasures from the Heritage Collection, State Library of Queensland.

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